I went plein air painting near lease sale area 8320. The end of the road was not very welcoming so I went back to the Hawsapple campground by the Paonia Reservoir. It was empty of people. The boat ramp was closed and I did see one person with a fishing boat driving out as I was going in on the road. But the water was so low in the reservoir that I don’t think it was safe for boating, thus the closure.
This is a map of the BLM land up for lease sale December 2018. I live very near here. In fact my home is just off the bottom left of the map.
I want to document what the areas are like before they are forever altered by fracking. As the map shows, much of the area is already under production or will be. It really makes me sad and keeps me from sleeping at night when I think about the environmental damage done to many of these beautiful areas. I am doing what I can to raise people’s awareness through this series of paintings and my posts on Instagram. Follow me at Plein Air Cedar to see the latest place I have been plein air painting.
I am also going to go into the studio with the plein air studies and create larger pieces. Both plein air and studio pieces will be in my December 2018 exhibits in Paonia at the Cirque and in Crested Butte at the Piper gallery in the Crested Butte Center for the Arts. I also plan to include the Western Slope Conservation Center at the Cirque. I am still waiting for some one from Crested Butte to get back to me regarding the ranchland conservation plein air paintings I want to do there.
Do what you can to make our world a cleaner, safer and kinder place. Take some form of positive action, how ever you can. I paint and then blog and post on Instagram. I am hoping you will do what you can.
A couple years ago, I did a painting of my friend on his mule in Escalante Canyon, Colorado. The mule was drinking out of Escalante Creek. At the time I was going to paint over the painting but my friend saw it and purchased it, he wouldn’t let me say no. Finally I got it back and got rid of it. We were riding the other week and I snapped a new and improved photo of he and his mule. I then did a much better painting of them and will varnish and frame it and give it to him soon. Persistence paid off!
Allen & I went to Zion National Park. It is stunning and amazing. Really, words can not describe its grandeur. I did some Plein Air paintings while Allen rode his bike through the park. Back home in the studio, I got out a big canvas and did the following painting, “Zion Sentinels”. It was a great trip and we hope to go back there soon.
I took a Plein Air workshop in St. George, Utah from Plein Air painter, Brad Holt. He was a great instructor, giving us lots of tips and advice. He also took us to a neat overlook to paint one day.
This painting, “Tall Juniper” was done during the workshop when we were inside on one of the afternoons.
I have been in the studio painting since the cloudy and cold weather has moved in during fall and winter. But before that I joined the Plein Air Artists of Colorado and went to Escalante Canyon for a paint out. The painting in this article is a result of that trip.
Here is a painting I did called “Walker Cabin Watchtower”. The study was done in Escalante Canyon between Delta and Grand Junction, Colorado. The landform was adjacent to an area where there were several small cabins cut into and out of the stones around 100 years ago. The hardy people who lived there had a great setting.
I (The Researcher) have compiled enough research now to determine that my dog (The Subject) has a unique yet well thought out and executed pose she assumes when she is assisting me en Plein Air painting.
The data shows the subject positions herself with optimal focus on the rays of the sun as compared to the angle of the shade. The subject also points herself in alignment with the researcher’s position during painting so as not to miss any movement on the researcher’s part.
The subject’s closed eyes are helpful so she can concentrate better on listening and smelling where the researcher is and also if the researcher is eating something the subject may want.
The subject’s relaxed position is her way of conserving energy so if she needs to spring to the researcher’s rescue or just quickly follow if the researcher moves, she can in an instant, mobilize.
This pose, named “Dead Dog” for its resemblance to highway fatalities, shows it is repeated in all instances where the subject goes out en Plein Air. Her use of “Dead Dog” pose in 99.99% of all recorded events shows it is highly effective in maintaining the subject’s ability to sharply monitor whereabouts of the researcher yet conserve her energy at the same time.
“Dead Dog” is effective due to its flexibility in being deployed in a variety of locations and situations, from driveway and gravel landscaping to interiors of vehicles.
The subject is very cunning in her nonchalant manner but the research shows its highly calculated.
It may seem that she is just passed out but she’s not.
Come join me at The Farm to Fiddle Festival Premier Fine Arts Show at the Creamery Arts Center, on the main street, 165 W Bridge St., Hotchkiss, August 5-26, 2016.
I have 3 paintings in this show. Stop by and vote for one of mine for People’s choice! Thanks.
Here is the schedule for the show:
Public Opening: Friday, August 5, 5-8 pm
People’s Choice Voting: August 5-11, 11 am- 6 pm
Reception and Awards: Friday, August 12, 5-7 pm
This art show takes place with the Farm to Fiddle Festival and the Delta County Fair happening during the middle of this show’s run. Perhaps people will stop by all of these events to take in fine art, fiddle and other music as well as giant hogs, turkeys and the ranch competition. Who knows. The Festival and Fair run during the weekend of August 12 & 13.
We were in the Sawtooth National Recreation Area for 4 days and 3 nights. The was no electricity, Internet connection or cell service. So I didn’t do any blogging, checking emails, phone calls or texts. And no art marketing. I was sketching and painting. So don’t feel bad for me. It was great!
I attended the Plein Air Magazine’s Plein Air Convention 2016 in Tuscon AZ from April 14-19.
The fifth day Bob, Sue & I opted to miss out on the convention all together and go to the Saguaro National Park, west side or Tucson Mountain side and plein air paint.
We were lucky as it was fee free week to celebrate the NPS centennial. In the morning we painted at a picnic area that had lovely vistas and only a couple other visitors. After lunch the winds picked up and we headed over to the visitor’s center where we knew there was a sheltered and shaded spot. We were behind the area where all the people were and only a couple people wandered politely by. We got some nice little paintings done that day. On our way home we drove by the spot where the convention folks were scheduled to go – Old Tucson – and the lot was filled with hundreds of cars. It gave me a claustrophobic feeling just seeing that. Glad we went else where. Our day was capped off by the car getting a flat. We pulled off I-19S and luckily we had cell service. I called AAA and we were informed of a 90 minute wait. Lucky for us the Border Patrol stopped and the K9 officer kindly changed our tire for us. Nice guy, of course its because he had a black lab!
The last day, Sue and Jack had to leave. But I stayed and instead of going to the convention, I went to the Saguaro National Park again. But this time I went to the east side, Rincon Mountain park. Allen dropped me off to go do some bicycle things and I painted for about 4 1/2 hours, getting 2 studies done.
The only ones who came near me and bothered me were the gnats. Plenty of them! But the views and plant life was gorgeous, with plants flowering and birds and bees busy.
I attended several sessions at the convention but found them to be geared for first time Plein Air painters. I was disappointed that the label “workshop” was given to the lectures and demonstrations. And the paint-outs were supposed to be run so there would be circulating faculty available to assist. Of the 3 I attended, I only saw 2 faculty available. And there were hundreds of people painting at each one. Next year I’ll use my education budget and take actual workshops with only 15 or less people in them. But I did have fun with my artist pals and did some good paintings. When life hands you lemons, make a margarita!