Plein Air Painting Trip Part 3

Tova, riding in a crazy oversized wagon in Oregon, on the trail of course.

Tova, riding in a crazy oversized wagon in Oregon, on the trail of course.

On our way through Oregon, we camped at Malheur National Forest on the South Fork of the Burnt River. So did a whole town of people on OHV’s and in RV’s with loud generators. I did a little sketching of the trees as lots were over 100 feet tall.

Clear Creek in the Malheur National Forest, Oregon.

Clear Creek in the Malheur National Forest, Oregon.

In the morning we headed out to look for a quiet spot where I could paint and a wide shoulder where Allen could ride his bicycle. I managed a nice painting of some cows in a flower filled field and a creek in the morning.

Tova, guarding the cattle guard and the Plein Air gear.

Tova, guarding the cattle guard and the Plein Air gear.

After an early lunch, I did another painting of some young Douglas Fir trees. I even managed to rig up an auto sun shade on my Strada easel which worked very nicely.

Painting in the Malheur National Forest.

Painting in the Malheur National Forest.

The auto sun shade in action on my Strada mini.

The auto sun shade in action on my Strada mini.

Thanks to Kim Casebeer for the tips on that one! Tomorrow we are on our way to our friends house in Wenatchee, Washington and more Plein Air painting.

Outside Painting this summer!

Grand Mesa Visitor Center

“Grand Mesa Visitor Center”, Oil, 9″ x 12″

I’ve been doing a lot of plein air painting¬† this summer.¬† Despite the rain and mosquitoes in my surrounding areas, I have gotten out a lot. I also took a couple great workshops this summer.

Here is our instructor, Dave Santillanes, helping a student. We took an exciting drive up Mt. Evans and painted for a good part of the day. Later, back at the Evergreen Fine Arts Gallery, we had critiques and a demo by Dave. I recommend his workshops as he was super helpful, instructive and also a real down to earth kinda guy.

Dave Santillanes & Student

Dave teaching us up on Mt. Evans

Yellow Rock

“Yellow Rock”, Oil, 11″ x 14″

I did this one in Dave’s workshop. We were standing on the edge of a cliff about 1000+ feet high. Dave commented “Wow Cedar, that is a really yellow rock” I mentioned he told us not to use white. He started laughing and said he never told us that. All around from the woods lots of voices piped up saying “yes you did!” Well, he did say that if we used white, to warm it up with yellow. I guess I wasn’t paying that close attention but I did get a yellow rock painting and its not half bad.

So now its fall and the Super Blood Lunar Eclipse Moon. Stay tuned for more paintings as I am about to go into a retreat and paint, paint, paint!

 

Draft Horses and painting them

Kit and Kat

Kit and Kat, Oil, 14″ x 18″

Yesterday I completed the oil painting called “Kit and Kat”. These gals are Belgium Draft Horses. They were our models during a workshop given by Lindsey Bittner Graham through the Evergreen Fine Arts Gallery, Colorado. They were just down the highway from the gallery. We spent a day painting and photographing them and their handler, Collin. All the excitement of a bunch of camera clicking artists threw the team into a bit of a frenzy but Collin settled them down right away with kind words and re-direction. When they were being driven in front of their cart, they were full of energy and really focused on their task of working for this fellow. When he stopped them, it took them a minute to figure out their job was to just stand there and look pretty. Then they applied their work ethic to standing.

As an artist I found I was relating to them totally as to being focused on what my job is. At first, just like the team, I was some what distracted from what I was there to do. I was happy to pet and kiss their big (really big) noses and they were happy to get the attention. I took some photos and set up my plein air gear and started to focus on the task at hand. I got a great color/value study that morning with the guidance of Lindsey plus another one of them without their traces in the afternoon. The critique at the end of the day was great, too. I related that to the horses being un-tacked and groomed before being turned out into their pasture.

This painting is a studio piece of the work I did that day last month. I am happy with the way it feels. Kit and Kat are great teachers, too.